Thursday 17 September 2020

a Free Hobby

Threads on the subreddit for board games tend to fall into one of a few categories. Is this game any good, framed as “is it worth the money”. This new game is out now/soon, framed as “here’s a thing you can [soon] buy”. Here’s my collection, or “here are the things I’ve bought”. Even the more innocuous posts like personal crafts projects often result in comments asking to purchase the thing someone’s made.

The rpg subreddit, and other online spaces for talking about ttrpgs, aren’t all that different. Online conversations about hobbies are framed around money. This extends to physical spaces, too. In a pre-socially-distanced world, the real-world hubs for the hobby were, at least through the US-centric lens of most conversations, the FLGS (where you buy things) and the game convention (where people sell you things).

As someone who can’t afford to frequent games stores or travel to conventions, I could have seen this focus on interaction with the hobby through commerce as a deterrent, or passive capitalist gatekeeping. Same as any other hobby with a price point - I can’t play golf, and wouldn’t consider trying, because I’m aware of the costs involved. The money means it’s not for me.

As game designers know, if most of your book is combat rules people will think your game’s about combat - and if most of the conversation around your hobby is framed around commerce, people will think they need money to engage with it. People will assume, fairly reasonably, that buying and owning things is the primary mode of engagement with tabletop as a community and, by extension, a pastime.

Luckily, my personal gateway to games was through old hand-me-downs and homebrew, and eventually through stumbling into a sphere of generous, creative writers and designers, happy to build things for fun and share them with anyone who might want them. Free content was my introduction to this hobby and, like any interest, without a suitable introduction I doubt I’d ever have engaged with it.

Free stuff as a gateway is brought up fairly regularly, but the conversation often stops there. The fact that the current most popular ttrpg, 5e, has its basic rules available for free, is mentioned briefly in your average introductory blog post or YouTube video - but the underlying assumption is always that you will, sooner or later, buy things. The starter set is “only” x dollars, or you can use online dice rollers “until” you want to buy your own custom dice set. The assumption is that you will spend money on something at some point.

And, yes, all these prices are relatively low. This is an enormously reasonable hobby, by and large. But any price point is a barrier to entry in a world in which poverty exists. I’m not against creators putting price tags on art to express its value within the restrictions of capitalism, and I’m certainly not against artists trying to use their skills to earn a living and survive. This is how the world works at the moment. Knowing that money sucks ass and that I need it for rent are not mutually exclusive beliefs. Insert Matt Bors comic, etc. But the fact remains that any product outside my price range is by its nature inaccessible. TSR’s greatest and most terrible innovation was turning home games and zines into a paid subscription model.

(Side note on piracy - if it’s your only option then you do you. If you’re using it to deny hegemonic corporations your money then that’s chill, but also you... do realise you don’t have to play their games at all, right? And if you’re using it to deny income to poor and marginalised creators then fuckin check yourself.)

The thing is that under all this, under all the starter sets and subscriptions, the free SRDs and at-cost PoDs, the limited editions and Invisible Suns, the collections and libraries and d20s made of gemstones... under the restrictions placed on it by capitalism, which are the same ways in which capitalism affects all things, this is a free hobby. Anyone can access it free of charge, and crucially anyone can continue to play, indefinitely, without spending.

There are free games. There are free modules, adventures, hacks. Free essays to read, free conversations to engage in, creators who are open to dialogue. It costs nothing - not nothing but, not nothing until. Tabletop RPGs are, at their heart, entirely separate from capitalism. Not above it or transcending it, not below or restricted by it. They are communal traditions. My game design didn’t start with the first book I bought and hacked, but with my playground games and notes scrawled on stolen paper.

Now, this is obvious, but please, please, support independent creators. I wish I could put out everything I make for free, and I do my best, but that’s just not the world we live in right now. Capitalism uses money to denote value, and so if you feel you’ve found value in this hobby, and are able to support the people who make the stuff you like... well, y’know. Money, mouth. You can start here, hint hint.

But if you, or someone you know, thinks this space isn’t for them because they’ve fallen on hard times, or have never not known hard times, if someone is working class or marginalised or just has better things to spend their money on... this space has no ticket price. You’re already included.

D&D is folk art. It is made of words, the only legitimate barriers to play are accessibility, culture and communication, and capitalist restrictions on our hobby are entirely arbitrary.

Tuesday 15 September 2020

Sisterhood of Sleep

This is a dungeon i doodled about a month ago, good for a side quest maybe. Someone you know got took.

Entrance - 1d4 cultists, moving inward

A cave at the foot of treacherous cliffs, out of the reach of the tide but wracked by sea spray. Cold, wet grey stone and the faint orange glow of torchlight on the far wall. The entranceway is hidden in the stone. This is where the cultists, women in white robes, cloth masks bearing the Closed Eye, have taken their kidnapped.

Pillar Chamber

Here, the stone is less rough, natural but hewn into shape. Four pillars support the craggy ceiling. On the first two, facing inward, are two twisted faces - any movement between them causes sleeping gas to spew from their gaping mouths. The cultists know this, and casually walk around the pillars in a twisting path.

Stairwell and Antechamber - 1d2 cultists, preparing

Stairs in the stone lead down. There is an opening to the east into a small room - to the left as you enter is a stone basin for the ritual washing of hands, and to the right a keg of sleeping draught. The back section of the space is separated by a thick white curtain - behind it are spare robes and masks.

Great Pit 

The passage opens onto an enormous cavern deep in the cliffside. A walkway encircles the great pit in the centre, leading to a raised altar on the opposite side. The pit is immeasurably deep, and leads to the dimension of the Dreamer.

On the western side of the walkway, an alcove contains a spiral staircase leading up to a mezzanine level, which mirrors the walkway except for a gap over the altar. To the east, steps lead down into the library.

Library - 1d4 cultists, researching

Two joined chambers, full of old tomes. The first contains the majority of the books, while the second has the rarer pieces. The northern bookcase in the second chamber is a secret door - pulling the right book causes the case to slide away and reveal a hidden passage.

Notable Books: 1, a spell to ease nightmares and protect dreams from being eaten; 2, holy texts on the Dreamer, detailing the sacrificial ritual; 3, history of the Sisterhood, giving the current leader’s name and details such as clothing, greetings and minor rituals; 4, a history of the area, leading to another dungeon.

Hidden Passage - cult leader, with prisoner

A tunnel connecting the library to a room behind the altar. In this space, the leaders of the Sleeping Sisters prepare for their sacrifices - placing a sleeping person on the altar and performing the rites cause the Dreamer to stir and lift Her mighty trunk from the great pit to impart dreams into the sleeper’s mind.

Once the drugs wear off the sleeper wakes in a stir, and has mere hours to recall their prophetic dreams before their mind fades into endless sleep. The prophecy will contain information about a greater power in your campaign.

Friday 11 September 2020

GRAVEROBBERS Bare Bones Edition - update 0.3

 New version of the Bare Bones just went live! Download for free here.

Patch notes:

Setting + semantic changes

Have changed the intro and various game terms to reflect the new implied setting, the urban gothic fantasy city of Lanton. Prep and Job phases are now Day and Night phases (this was actually what they were called in the first ever version of the game, I just remembered), other shifts in terms and tone. Changed use of die face Unicode for better readability. The Judge is now called the Dealer to fit the casino theme. This should be the final time any of these terms and bits of flavour are changed or updated.

Crime changes

The Grifter is now the Mountebank. No more die roll for items, now gets set vials of potentially useful substances. Other small changes to starting items in some Crimes.

New Rule: the Raise

One additional line under Night Phase means that players can now “raise” a fellow player’s roll with some risk/reward cooperative stuff. Not too dramatic but should bet everyone focused in more on the rolls.

This is probably the last “big” change to the Bare Bones until it goes to layout/art - which will be whenever I can afford it. So... we’ll see. Support your local graverobber by redownloading the Bare Bones and tipping a buck or two!

Happy gaming x

Tuesday 1 September 2020


My ZineQuest 2020 project, BUTCHERY, is now available for purchase.

Thanks again to all the backers who made this happen! Check your messages on your Kickstarter account for a code to get the zine for free.

Happy hunting.